Light shot extension

Author: i | 2025-04-25

Shot Light S Semi Recessed Shot Light S Flex Shot Light M Shot Light M Trimless Shot Light M Asymmetric Shot Light M Asymmetric Trimless Shot Light Big Shot Light. Luminous flux. 190 lm / 210 lm / 250 lm. Lighting efficiency. 86% / 90% / 92%. Power. 2,1 W. Dimming. No Dim. Color temperature. 2700K / 3000K / 4000K

SHOT LIGHT - Light Life - Jokerlight

Too shallow, so plan on shooting at higher apertures. I was very happy with the different focusing distances I was able to achieve with varying combinations of tubes.NIKON D800 + 85mm f/1.4 @ 85mm, ISO 200, 1/200, f/5.6I was initially a little concerned when I put the tube/lens combo on my camera body. It doesn’t fit perfectly tight like just a lens does, so there’s a bit of play between the tube and the body. It’s not enough to cause a light leak and fortunately doesn’t affect focus, but does make the whole setup feel a little cheap. Also, the rear cap does not fit tightly and falls off. I even switched out the supplied cap with a Nikon cap and had the same results. I’m assuming this has something to do with why the tubes don’t fit tightly to the camera body.3) SamplesThe following image samples were taken to demonstrate the varying degrees of minimum focusing distance made possible by using extension tubes. All images are uncropped. I also left any vignetting that occurred. All were shot at f/4 with the Nikon 85mm f/1.4G AF-S lens.NIKON D800 + 85mm f/1.4 @ 85mm, ISO 400, 1/40, f/4.085mm lens, no extension tubeNIKON D800 + 85mm f/1.4 @ 85mm, ISO 400, 1/30, f/4.085mm lens, 12mm extension tubeNIKON D800 + 85mm f/1.4 @ 85mm, ISO 400, 1/25, f/4.085mm lens, 20mm extension tubeNIKON D800 + 85mm f/1.4 @ 85mm, ISO 400, 1/25, f/4.085mm lens, 36mm extension tubeNIKON D800 + 85mm f/1.4 @ 85mm, ISO

Light Shot (Shadow the Hedgehog)

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Light Shot - The Noita Wiki

Both actresses are in the same light; the light matches the environment perfectly, which would have been impossible to replicate with greenscreen, frankly. And the performances speak for themselves.The dome-shaped lab where Ana [Carla Juri] creates replicants’ memory implants is one of the more unusual sets. Yes, it’s a big egg with no light source! [Laughs.] The design was inspired by the Darwin Centre Cocoon of the Natural History Museum in London. The shots that introduce Ana, where you see her in the forest that then dissolves into her lab, were actually shot in prep, whilst the lab was a set we shot late in the schedule. So it was quite a long time between the shooting of the plate and the interior, and we had to choose our angles very early on. We lit the lab almost entirely with LED ribbons recessed into a cove in the floor. It doesn’t look like much, but it was an enormous amount of light. There was a hole in the top of the dome that doesn’t appear in shot, and we put a small amount of LED soft light there using [Arri] LED SkyPanels, but it’s very minimal. Did the wall of glass separating Ana from her visitors present any concerns?It was suggested we shoot without the glass and add CG reflections in post, but that wouldn’t have looked right. I had the camera on an Aerocrane and Power Pod remote head — the same system that I regularly use — and there were a few instances where [visual-effects artists] had to paint out the camera’s reflection because there was no way to shoot without getting it in shot, but it was fairly forgiving.Ana’s creation of the birthday-party memory is a lovely bit of interactive lighting. How did you achieve that? First, we storyboarded the scene to determine all the angles we needed. We shot the children as an element during preproduction, lining up our shots with our actress but always keeping the children as a clean element. I used a circular tray of 250-watt bulbs on flicker generators to mimic the light that would be coming from the candles on the cake. Some shots we made with multiple cameras for the moment when the kids freeze but the cake is still spinning; using multiple cameras enabled the visual-effects team to manipulate the kids in three dimensions. We shot the birthday cake. Shot Light S Semi Recessed Shot Light S Flex Shot Light M Shot Light M Trimless Shot Light M Asymmetric Shot Light M Asymmetric Trimless Shot Light Big Shot Light. Luminous flux. 190 lm / 210 lm / 250 lm. Lighting efficiency. 86% / 90% / 92%. Power. 2,1 W. Dimming. No Dim. Color temperature. 2700K / 3000K / 4000K

‎Light Shot! on the App Store

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Ring Light Shot's - Pinterest

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Perfect Dusk Shots: Capture Stunning Low Light Shots

Now go ahead and frame the shot that you want to create this is best to do with the lights on; if you are in a dark environment turn on your light source to project light onto the scene so you can frame the shot.STEP 2: Next you need to focus the image, if you are in an place where you can turn lights on and off TURN THEM ON FOR THIS PART. Zoom in as far as you can to the part of the frame you want in focus, if the lights are on you can use your auto focus. Once you have the focus set your lens over to manual focus and leave it there, now zoom back out and reframe the shot. If you are focusing in the dark set the focus on manual, illuminate your light source and place it in the shot next to the part of the scene you want to have in focus, zoom in, pull focus on the illuminated light source, leave the lens on manual focus, zoom back out and reframe the shot. This will ensure you get a sharp image. STEP 3: Turn all lights off. Open the shutter of your camera to begin the long exposure, illuminate your Light Painting Brushes tools and begin to paint. STEP 4: Go to the back of your camera and have your mind blown at the beauty you just created.Light Painting video tutorial using the Light Painting Brushes System.There are 3 basic Light Painting Photography Techniques: The On Camera Light Source, The Off Camera Light Source and Kinetic Light Painting Photography (See descriptions for each below) There are no rules! These techniques can be modified, combined, or ignored and you can create your own!The On Camera Light Source: This is creating a light

Light Shot - Sonic Wiki Zone

GitHub Models extensionUse the GitHub Models service from the CLI!UsingPrerequisitesThe extension requires the gh CLI to be installed and in the PATH. The extension also requires the user have authenticated via gh auth.InstallingAfter installing the gh CLI, from a command-line run:gh extension install you've previously installed the gh models extension and want to update to the latest version, you can run this command:gh extension upgrade github/gh-modelsExamplesListing modelsExample output:Name Friendly Name PublisherAI21-Jamba-Instruct AI21-Jamba-Instruct AI21 Labsgpt-4o OpenAI GPT-4o Azure OpenAI Servicegpt-4o-mini OpenAI GPT-4o mini Azure OpenAI ServiceCohere-command-r Cohere Command R cohereCohere-command-r-plus Cohere Command R+ cohereUse the value in the "Name" column when specifying the model on the command-line.Running inferenceREPL modeRun the extension in REPL mode. This will prompt you for which model to use.In REPL mode, use /help to list available commands. Otherwise just type your prompt and hit ENTER to send to the model.Single-shot modeRun the extension in single-shot mode. This will print the model output and exit.gh models run gpt-4o-mini "why is the sky blue?"Run the extension with output from a command. This uses single-shot mode.cat README.md | gh models run gpt-4o-mini "summarize this text"NoticeRemember when interacting with a model you are experimenting with AI, so content mistakes are possible. The feature issubject to various limits (including requests per minute, requests per day, tokens per request, and concurrent requests)and is not designed for production use cases. GitHub Models usesAzure AI Content Safety. These filterscannot be turned off as part of the GitHub Models experience. If you decide to employ models through a paid service,please configure your content filters to meet your requirements. This service is underGitHub's Pre-release Terms. Youruse of the GitHub Models is subject to the followingProduct Terms andPrivacy Statement. Content within thisRepository may be subject to additional license terms.. Shot Light S Semi Recessed Shot Light S Flex Shot Light M Shot Light M Trimless Shot Light M Asymmetric Shot Light M Asymmetric Trimless Shot Light Big Shot Light. Luminous flux. 190 lm / 210 lm / 250 lm. Lighting efficiency. 86% / 90% / 92%. Power. 2,1 W. Dimming. No Dim. Color temperature. 2700K / 3000K / 4000K

Acne Light Shot - FaceGym - Sephora

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Light shot upload problem - YouTube

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Amazon.com: Light Up Shot Glasses

Pictures of printed photographs?I'd do that old Tom Cruise line but that would be silly ...I'm using a home-built film duplicator to image primarily negatives.Nikon Z8, Meike Z 11 & 18mm extension tubes, FTZ, and Nikkor 85mm f/1.8 G lens. Between the camera system and the negative mask I have a faux bellows system to prevent stray light from causing problems. The negative frame can rack back and forth on the rail. The camera is fixed with a 1/4-20 screw to the FTZ. I built 126, 127, 35mm, 6x6, and 2-3/8 x 3-3/8 (for negatives shot at my parents' wedding using a Color Brownie in 1951) masks out of old black 8x10" photo paper boxes. I can slide the negatives through, as you see here, or can insert individual negatives. That's a Pixel LED panel in front, with a sheet of bond paper to soften the LEDs and provide a more consistent light.I just today bought a license for VueScan Pro. It makes turning negatives to positives really easy, whether they are B&W or color. I've tried using Affinity, and capturing the mask, and correcting etc., but that was a major hassle and I could never end up with decent color. VueScan is as close to one-click as I think you can get.I do have some slides but 99% of the images are negatives. Some shot with Hasselblad, some with Nikon 35, some with a Baby Rollei, and others shot with Instamatics and other less-glamorous gear.Getting images from the camera straight to a network folder is fantastic. Nikon Z7 Nikon Z 24-70mm F4 Nikon Z 14-30mm F4 Nikon Z 24-200mm F4-6.3 VR Nikon Z8 +2 more "}"> Horshack • Forum Pro • Posts: 10,812 You're likely going to need this workaround The fact you had to restart your camera to get it working indicates the service will likely need intermittent restarting on the computer side: "}"> Tim Bury • Senior Member • Posts: 2,298 Re: Connecting Z8 to computer via LAN - won't connect Thanks, this sounds/looks like a perfect setup for the task. I appreciate you sharing all the details. Panasonic Lumix DMC-TS3 Nikon Z8 Nikon Zf Nikon Z 50mm F1.8 Nikon Z 35mm F1.8 +9 more "}"> Re: Connecting Z8 to computer via LAN - won't connect Follow-up …I got things working on Saturday afternoon. I’ve been using it since then with no problems and no need to